Thanks for stopping by! Here, you’ll find a collection of my 3D work, from character models to environment scenes and a few experimental projects. I’m passionate about using 3D art to bring ideas to life, whether it's for games, animation, or just for fun.

Feel free to explore and reach out if you’d like to chat about a project or have any questions. Enjoy!

Flying RV

Created in November 2022, this personal project dives into a unique take on mobile living. RVs often capture our imagination, appearing in movies and shows as gateways to adventure, even though I've yet to experience one myself. But that hasn’t stopped me from daydreaming about my ideal RV—a mobile haven I’d use to chase UFOs across Nevada, brave a zombie apocalypse, or uncover the secrets of a lost civilization. After all, the best adventures blend a bit of reality with a touch of fantasy.

Touch me

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Inspired by the iconic 1973 D-27C Winnebago Chieftain, this project began with a toy replica schematic of the Walking Dead RV, giving me the precise measurements I needed to bring my vision to life. For the interior, I drew heavily from the makeshift, sci-fi-inspired aesthetics of classic cartoons like Megas XLR, a favorite of mine that sparked a sense of nostalgic creativity. I aimed to recreate that same rugged, imaginative vibe—where every detail feels resourceful and full of character.

Some design elements didn’t make it into the final model, either due to Sketchfab’s poly count limitations or because certain ideas felt incomplete in execution. For instance, I wanted to extend the wing span to make the RV’s bulky frame flight look more plausible. However, once extended, the wings appeared even less structurally sound, so I decided to hold off on that idea for now. It’s something I hope to revisit and refine down the road.

Touch me

Another scrapped element was a ceiling-mounted turret on rails, designed to switch between windows by gliding along the rails for optimal coverage with minimal blind spots at the back of the vehicle while the driver focused on the road ahead. This feature was ultimately left out due to poly count limitations, and of all the elements, it felt less essential to the vehicle’s main purpose. If I revisit this project, I may optimize the existing models to reduce poly count and bring back some of these scrapped elements.

Touch me

Aside from the wings, the rigging process was fairly simple. With limited experience in cloth simulations, I followed a tutorial on animating a paper scroll, which worked fine for my purpose. However, I later discovered that without using bones or shape keys, mesh deformation data like cloth simulations doesn’t carry over when exporting from Blender. To resolve this, I added bones to each vertex of the cloth simulation, baked the movement onto the bones, and used them to reapply the animation, allowing the deformations to be retained outside of Blender.

( I automated the bone adding process for the wings by running a python script )

Eternal Ascent: Shrine priestess & her Guardian spirit

Created in February 2024 as a entry for a biannual community challenge hosted by YouTuber Pwnisher for 3D artists and animators, where participants are tasked with creating a render based on a predetermined theme and scene composition. The camera’s resolution, movement, and frame rate must remain unchanged, but beyond that, creativity has no bounds. Standout artists are often those who bring the most inventive interpretations and executions of the theme. The month-long challenge encourages active community engagement as a core part of the experience, and while AAA industry resources are provided, they’re entirely optional to use.

For the enemies, I used Julien Kaspar’s base male human mesh available on Blender.org. The ghostly samurai is a basic Mixamo model with a custom shader applied. The sakura trees were crafted using Geometry Nodes Trees, while the shrine miko climbing the stairs is an edited version of Casttelan2's model from Sketchfab. Textures throughout the scene are sourced from BlenderKit.

Although participants had access to KitBash3D, Rokoko, and other sponsored tools for the duration of the challenge, I chose to work with commonly available tools.

While not required, I wanted my animation render to seamlessly loop, which introduced new challenges and design restrictions. I had to carefully space elements, ensuring they repeated subtly to keep the scene believable while achieving a smooth transition. The lighting needed to stay consistent at both the start and end of the animation, and the characters had to return precisely to their starting positions for a flawless loop. Even minor deviations would create a jarring effect at the looping point, so careful planning was essential to maintain the illusion.

For this challenge, the Blender Array Modifier was my primary tool for constructing environments and calculating character positions. I also used simulated ragdoll physics to create realistic flight paths for characters as they were struck. Aside from the ghostly samurai and the miko, all other character animations were meticulously hand-choreographed, which took up a significant portion of the challenge’s duration. As a result, I had limited time to resolve last-minute rendering issues and ended up submitting the project with them included.

I chose to display Render 3 first instead of the final render because it features the flowing sakura leaves, which unfortunately didn’t render in the final version submitted. I plan to revisit this project in the future to create a proper render.

Incubator : Low poly Mutant Raptor

Created in September 2019 as part of a university incubator project, I worked alongside a colleague on a low-poly stealth game. At the time, I was transitioning from Maya—the software we learned in university—to Blender, which presented a number of challenges, especially with rigging. Despite the hurdles, I’m pleased with what I was able to accomplish, even though the game itself was never released. The experience proved invaluable for my growth and skill development.

The raptor was designed to evolve throughout the game, gaining new abilities tied to visual changes inspired by other dinosaurs. These included features like a skull plate, feathers, and spikes. One feature I designed and animated but that ultimately got scrapped was the ability to frill its neck and spit acid, much like a dilophosaurus. While it was a cool addition, it proved unnecessary for the gameplay.

battle arena: Divine trial

Created in April 2017 as a second-year university project, where each student was tasked with designing a battle arena. For my project, I chose to create an Eastern-inspired arena set in the divine realm—high above where ordinary mortals could ever tread. In this mythical setting, chosen warriors are summoned to engage in mortal combat, battling for a coveted power that lies at the very heart of the arena.

VR game: Pirate at sea vs undead hoard

Created in April 2018, both the shark and ship were designed and modeled by me for a second-year university group project. Our team of three developed a VR game where players had to survive waves of undead pirates using a combination of weapons: a gun, a sword, and throwable explosive barrels that could be detonated with a shot.

The skeleton and other props wore created by my colleague.

V-tube project: Ragdoll puppet boy

Created in June 2021 as one of my personal projects, this was inspired by the growing V-tuber scene. I wanted to create something that tracked with a camera like a V-tuber model but broke away from the typical anime-style characters that dominate the space. This was my second attempt at making a V-tuber model and my first time creating one entirely in Blender.

Commission: Origami insect

Created in March 2021 as a commission for a game concept focused on AI-driven insect battles. The objective was for players to predict the winner based on the insects’ unique body features and attributes.

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Commission: Retro 3d character

Created in February 2023 as a commission, this project was for Viper, who requested their original character to be brought to life in 3D with a retro aesthetic. The model was designed to be versatile, allowing for modding into various games or integration into VRChat.

Zoom

Rotation

To interact with

model click on

the MODEL tab

Animations

Expressions

V-tube project: VRoid model

Created in January 2021 during the rise of the V-tube scene, this was my first attempt at creating a live puppeteered character. Using VRoid Studio as a starting point, I was able to leverage its intuitive framework to design my first functioning character with live video tracking. Additionally, the character was fully compatible with VRChat, where I’ve also had the opportunity to use it.

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While VRoid Studio is somewhat restrictive in its tools, it provides a fully rigged base character ready for camera-tracked movement, along with quick customization options that streamline the character creation process. However, its limited clothing options mean that achieving a more original look often requires creativity in texturing the pre-existing outfits.

The hair system is notably robust, functioning similarly to Blender's curve tools, and can be used inventively to create accessories or additional clothing elements to make up for the base clothing's limitations. While the range of customization for body shape, including the head, is fairly constrained, it’s sufficient for crafting simple anime-style characters.

3D recreation: Binoculars

Created in November 2018 for a university project, this piece is a faithful 3D reproduction of my own vintage binoculars, which I purchased from a charity shop. (without finer details and scratches)

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Reference

Game Jam: Ultra Giga Ball Brawler

Created in November 2022 for the Lost Cartridge Game Jam 2022 ( jam duration 72 hours)

There was no predefined theme at the start of the jam, but for a submission to qualify, the game needed to capture the aesthetic and feel of a old console game. Participants were free to choose the console style they wanted to emulate.

Our team struggled to settle on a console style during development, so we focused on creating a generally retro-looking game without specific considerations for a particular console. In the end, we retroactively chose a console style just before submitting.

I contributed to the game by developing the concept, designing the characters, creating the animations, and implementing post-processing effects to emulate the look of an old CRT monitor.

Right away, my characters stand apart from retro game characters due to their higher poly count and smoother appearance. While retro games were constrained by the hardware of their time, today we have the luxury of choice. To bridge this gap, I decided to use a pixelated filter to evoke an authentic retro aesthetic, regardless of the poly count. This idea was inspired by Pokémon Sun and Moon, a modern game that, in my opinion, captures an interesting old-school vibe.

To further emphasize the retro feel, I created a CRT monitor post-processing effect featuring flicker, chromatic aberration, and lens distortion.

For the textures, I used flat colours for the characters and created tiling textures for the environment. While I’m quite satisfied with the design of the enemy character, I think the player character’s design could have been stronger.

We set out to create an arcade game with an original and engaging mechanic. I came up with the idea of having defeated enemy monsters turn into bouncing balls that ricochet around the arena like pinballs, creating chaos and helping the player break through the ranks of other grouped enemies. As the player, you must strategically position yourself to avoid getting surrounded while targeting isolated enemies that are easier to defeat and transform into balls. These balls can then be used to chip away at the defenses of larger enemy groups.

A key gameplay element involves hitting the balls again to change their trajectory, directing them toward dense enemy clusters for maximum impact. We drew inspiration from Vampire Survivors and its addictive gameplay loop, aiming to balance our game in a similar way.

Similar to Vampire Survivors and other roguelike games, we added temporary power-ups that players can acquire during a run. These power-ups enhance the player’s bat or the balls’ effectiveness and are available upon leveling up by collecting currency dropped by enemies. Players are presented with a random selection of three power-ups to choose from, allowing them to adapt their strategy and playstyle throughout the run.

Looking at the completed game, I believe we came close to achieving what we set out to do. While there’s plenty of room for improvement, I strongly believe the core idea has great potential for a truly enjoyable game. I would love the opportunity to explore it further in the future.

Game Jam: Lost Contacts

Created in December 2022 for the Cozy Winter Jam 2022 ( jam duration 72 hours)

The only requirement was to design a game that embodied a cozy winter atmosphere, with no specific theme restrictions. I collaborated on this project with two friends, working together to bring our idea to life.

My contribution was the character, environment, textures and any animations. I've also helped develop the game idea .

!! To play the game please follow the walkthrough provided underneath, it will explain how to navigate around bugs and incomplete features !!

(game has been submitted in good working order, however over the 2 years it has been on itch, new bugs have cropped up where there wore none before, making a playthrough without a guide seemingly impossible )

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Walkthrough

Upon starting the game there will be a empty purple screen. To continue, click in game as shown in the example in the location where the rectangle would be. This will reveal the rectangle on your game screen.

The rectangle is a text input field, the prompt is to write the name of a friend and to press enter when ready to continue (input is not visible and of no consequence later on). This action needs to be repeated a total of 4 times. ( the purpose of the names was for a more immersive experience. As it stands, due to text not displaying properly, any immersion is lost until a build update is implemented, unfortunately this is not something we are currently working on )

Please proceed to: [ Walkthrough section b ]

Friendships can be tested by time and distance, and it’s easy to feel disconnected from the people you care about. In moments like these, it’s important to hold onto the good times shared, as memories form the foundation of friendship—a foundation that must be nurtured and strengthened to endure.

Our game idea blends the narrative depth of a graphic novel with the interactivity of a point-and-click adventure, creating a world where the environment is intricately tied to the story. As the player, you’ll help the main character reconnect with friends through messenger chats, uncovering more about their shared history by exploring the clues scattered throughout his room. When conversations seem to falter, it’s up to you to discover key items tied to cherished memories, reigniting meaningful dialogue and lifting your friends' spirits and securing the cozy vibes.

During the planning phase, the game felt achievable in scope, but we soon realized it was more challenging than expected. We underestimated the time needed to complete a functional game build, which forced us to scrap polish elements. As a result, the game ended up feeling like a shell of its original vision, with writing that didn’t quite meet our expectations.

We wanted to include stylized pictures of the friend group engaged in various activities, along with sticky notes, old concert tickets, and journal entries for players to discover and become more immersed in the story.
We also hoped to highlight interactable elements, such as specific areas of the room and key items, to guide the player intuitively.
Additionally, a visible UI quest log would have been a valuable feature, helping players track objectives like reminding them to check a friend's messages or confirming when a key item was acquired.

All of these features might have been possible if we had an entire week, but with only 72 hours to work with, I’m satisfied with what we were able to accomplish.

At some point, the itch.io build began exhibiting new bugs that hadn’t been present before. These issues caused the text to disappear at the start of the game and on the messenger app tabs, where the friends’ names were supposed to be displayed

You are now in your character's room. Here you can find 3 explorable areas and the mobile messenger app that can be pulled up by clicking on your character (other interactions are restricted while the messenger app is on the screen, to close it click on the character once more)

To explore the different areas simply click on one of them as shown in the highlighted boxes bellow. The camera will pan over to the chosen area, to return click on the red arrow that will appear on the screen.

Please proceed to: [ Walkthrough section c ]

This is the messenger app. Here you have 4 friends. The tabs on top of the app is where the friend's chosen names would have been displayed. For brevity they will be referred to by number counting from left to right as shown in the example.

In the app, you will send and receive messages from your friends, the green boxes represent your answer options ( if there are no dialogue options available, try talking with other friends first). To switch to another conversation click on another tab (some tabs will be greyed out, to unlock progress the dialogue with other friends first)

At a point in the game conversations will require a key item to progress and there will be no more dialogue options available until the item is submitted to the conversation. (a visible prompt will display in the conversation when this is the case)

Each friend has a key item located somewhere in your room, and each item symbolizes a shared memory that strengthens the friendship.

Friend 1: there is a plushie on the bunk bed

Friend 2: there is a book in the bookshelf that's differently coloured.

Friend 3: there is a picture frame on the desk next to the laptop

Friend 4: there is a bracelet on the shelf under the TV

-You can not pickup items before receiving the prompt to do so.

-There is no inventory to show picked up items.

-The items will make a sound when successfully picked up and no other feedback is given.

-Once the right item is obtained, upon return to the conversation there will be a new dialogue option allowing you to use said item and progress the story.

-If the right item is not acquired, the prompt in the conversation asking for an item will still be displayed.

Please proceed to: [ Walkthrough section d ]

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This is how it looks when the camera pans in on one of the areas. Under the TV the bracelet can be found. It is hard to tell what items are collectible as there is no highlight, the only feedback is audio and can only be heard when an item is successfully collected.

Use the list of items provided in [ Walkthrough section d ]

the red arrow can also be seen here By clicking it, you can go back to the main area.

All the assets for this project were created during the jam, and my focus was on building the environment first, leaving the character for last. That decision definitely shows in the final result, but I felt a character was essential to bring life to the room and capture the cozy atmosphere we were aiming for.With time running out, I had to simplify certain aspects, like using flat colours instead of detailed textures.

Looking back, I’m happy with how the room’s layout came together, though there’s definitely room for improvement in the models themselves, especially with the skills I’ve developed since. While I’m not sure we’ll ever return to this project, given all the new ideas we’re excited to pursue, it was a genuinely enjoyable experience.

-click on the image to zoom in-

Challenge: one 3D model a day

Created in March 2021 as part of a challenge inspired by Inktober, I set out to create a 3D model each day based on a randomly generated word as my prompt. I managed to keep up with the challenge for about a third of the month, and while I didn’t complete it, it was a fun experience and a good exercise in creativity and discipline.

day 1

topic: soup

day 2

topic: wrestle

day 3

topic: cover

day 4

topic: extinct

day 6

topic: breakfast

day 7

topic: jet

day 8

topic: justice (band reference)

day 9

topic: jest

day 10

topic: suburban

Other 3D Art

Thanks for stopping by!

Here is a random selection of my work that may be unfinished or not quite polished enough to stand on its own, but I still want to showcase it as part of my creative journey.

Flying RV

Touch me

!

Touch me

Touch me

Eternal Ascent: Shrine priestess & her Guardian spirit

Incubator : Low poly Mutant Raptor

battle arena: Divine trial

VR game: Pirate at sea vs undead hoard

V-tube project: Ragdoll puppet boy

Commission: Origami insect

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Commission: Retro 3d character

Zoom

Rotation

Animations

Expressions

V-tube project: VRoid model

3D recreation: Binoculars

Reference

Game Jam: Ultra Giga Ball Brawler

Movement

Attack

Game Jam: Lost Contacts

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Walkthrough

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Challenge: one 3D model a day

Other 3D Art

Thanks for stopping by!

Flying RV

Touch me

!

Eternal Ascent: Shrine priestess & her Guardian spirit

Incubator : Low poly Mutant Raptor

battle arena: Divine trial

VR game: Pirate at sea vs undead hoard

V-tube project: Ragdoll puppet boy

Commission: Origami insect

PRESS RANDOMIZE

!

Commission: Retro 3d character

Zoom

Rotation

Animations

Expressions

V-tube project: VRoid model

3D recreation: Binoculars

Reference​

Game Jam: Ultra Giga Ball Brawler

Game Jam: Lost Contacts

!

Walkthrough

Challenge: one 3D model a day

Other 3D Art

Thanks for stopping by!

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RANDOMIZE

Reference